Prince of Persia: The Fallen King – NDS – Review

Prince of
Persia: The Fallen King is one of those games that is very difficult to rate. On
one hand it’s a fun, well-designed platformer, and on the other, the purely
stylus controls can be frustrating. On one hand it has some cool teamwork-based
puzzle solving, and on the other, the combat is tedious and overly simple. Every
time you start to think The Fallen King is starting to build momentum, it
infuriates with a poorly executed bit.

The game
begins with the Prince hunting down the evil Ahriman, whose corruption has
spread across an entire kingdom. He soon teams up with a mysterious Magus named
Zal, who provides you with special abilities that will be required to progress
through the various levels. This team-based gameplay is probably the highlight
of The Fallen King, as it serves to break up the platforming segments with some
genuinely well designed puzzle-solving. These can be as simple as using one of
Zal’s powers to reach a new platform. There are a few areas where the two
characters must split up and work together from different areas in order to
advance. It’s these types of puzzles that really make the design come together
as more than just a standard platformer.

But The
Fallen King is a platformer at heart. And for the most part it is
well-designed as such. The Prince’s trademarked acrobatics are back and
well-utilized. Unfortunately, the developers have seen fit to only include one
control scheme, and it’s controlled purely via stylus. This is one of those
instances where the team wanted to do something new without really considering
if it was going to be better. Even if the controls are mostly functional, they
just aren’t as precise as the standard control pad would be. Where some games
have utilized this sort of setup very well (Zelda: Phantom Hourglass, being
one), it simply does not provide the reliability and accuracy required for
platforming. This is obviously why Nintendo went with a standard control scheme
on New Super Mario Bros. In that game, when you press the button, Mario jumps,
and he jumps every time. Here, we must tap the platform to which the Prince must
jump to. You can’t hold the stylus to the screen; otherwise the game will read
it as simply a run command. You can’t tap too far; otherwise the Prince will
continue to run after making jump. Even simple commands such as detaching from a
ledge can take multiple tries.

And as
frustrating as the controls are sometimes, I suppose it’s a testament to the
programmers that the game is at least playable. It’s not that the work here is
shoddy; it’s that the concept just doesn’t hold up.

Another
disappointment is the combat system. In fact, it’s hard to really call it a
system at all. Every encounter basically boils down blocking, doing a light
slash and repeating. The more powerful attack takes far too long to pull of to
be useful in a fight. There are no real combos or anything, and as a result, the
swordplay becomes very tedious, especially when you are frequently blocked from
advancing until you take down multiple enemies.

Boss fights
are a bit more interesting, but are awkward to play. They involve a bit more
thought than the standard encounters. The problem is that they are presented
from a static camera angle, which would be fine, except that the stylus movement
control detects the difference between run and walk by how far from the Prince
you are touching. The farther away, the fast he runs. But if you are near one
side of the screen, the Prince will slow down because there simply isn’t any
more screen space to that side. Imagine trying to dodge an attack to left. If
you are already near the far left the Prince will not run. As with the
platforming controls, it still works, but it degrades what could have been a
much better experience.

Graphically,
The Fallen King is adequate, but nothing special. Character models are very
simple and the art direction doesn’t make much of an impact. The most impressive
aspect is easily the animations. The Prince’s acrobatics all look great. There
is some occasional slowdown, but it’s barely noteworthy. Sound effects are
generally good, but the music loops endlessly and it can get downright
irritating.

The overall
presentation is also disappointing. The story is about as standard as they come
and half-heartedly presented through very brief text passages. The characters
are written to be humorous, but it’s the type of cheesy humor that really can
only work with a really good voice actor. Even the very basic presentation is
lacking. When you beat a level, don’t expect any sort of fanfares or celebratory
moments.

Prince of
Persia: The Fallen King is ultimately a disappointing experience. There was a
lot of potential here, but a few key poor decisions keep the game from reaching
the heights it grasps for. Despite quality level design and some nice gameplay
ideas, the controls just aren’t good enough in the long run and the bland
presentation certainly doesn’t help. You could do a lot worse than The Fallen
King, but you could also do a lot better.

Review Scoring Details for Prince of Persia: The Fallen King

Gameplay: 6.5
The Prince’s
acrobatic platforming is fast paced and fun, but is hurt by the sometimes iffy
touch screen controls. Teaming up with Zal the Magus provides some nice puzzle
solving, while combat is overly simplistic and tedious.

Graphics: 6.5
A decent visual
package overall. The animations are definitely the highlight, with some
occasionally mild slowdown as the main detractor.

Sound: 6.0
The sound effects
are decent, but the music is far too repetitive and uninspired.

Difficulty: Medium
While very simple
at first, there are a few challenging segments later on.

Concept: 6.5
The level design
is solid, but the stylus controls hurt the overall experience, especially as the
platforming becomes more challenging. The presentation of the story is lacking.

Overall: 6.5
Prince of Persia:
The Fallen King is a game that just sort of falls into no man’s land. It’s not
bad, and it’s not particularly good. While there are a lot of good ideas, the
execution isn’t polished enough to realize that potential.